Driving
Legh, my brother-in-law, is a driving instructor; at weekends he works at Mercedes-Benz World, where underage drivers can have a go in a real car. They’re all automatics, so it is pretty easy (‘…all I have to do is tell them – that pedal makes it go faster, that pedal makes it stop, and you steer with this…‘) and obviously on the special track there’s no traffic problem or other complications. He kindly arranged for the girls to have a go.
Mercedes World is housed in a striking new building where they have a collection of noteworthy cars, back to a replica of the original vehicle built by Mr Benz. As the first carriage powered by an internal combustion engine, this has a good calim to be the first modern car, though it looks like a sort of motorised park bench.
They also have a huge limo which according to legend was used by the Queen and Prince Philip on a State visit.
“Ah, Your Majesties like of course the Rolls Royces, but here we think we have something you will also like. This car is the first in the world with electrically operated windows.”
Prince Philip did like it, apparently, and spent the whole of the journey winding the window down, doing that curious rotary wave that the Royals favour, and then winding the window back up. When the Royal party got back in the car later, it wouldn’t start because the battery had been flattened by the excessive use of the window motor.
“Hmn. Well, that doesn’t happen with a Rolls Royce.”
I thought Elizabeth would particularly enjoy the driving experience, because I remembered how pleased she had been to discover she could drive the cars at Legoland when about eight years old. She didn’t seem all that excited however, and merely said it was ‘alright’. But it became clear that this was just a teenage thing.
“You know,” she said, “I had to work really hard to stop grinning. I was like biting my lip and things.”
“You could have grinned if you like.”
“Yeah, but… Anyway, I’m going to text my friends.” She kindly allowed us to follow the ensuing conversation.
“I’ve just driven a Mercedes! lol!”
“No way! Who with?”
“Mario!”
(To my masculine mind this would have raised confusing ideas of Super Mario Kart, but we were in girl world here)
“If you’re driving now, can you take me shopping?”
Anyway, I think that all means she really, really did enjoy it.
“I love this day!” said Elizabeth, “Chocolate and snow!”
Since February, an experiment has been going on on the Jubilee Line: on certain stations strange markings have appeared on the platforms at the places where the carriage doors are. They’re not all the same: there are crossed boxes, straight lines, slanted lines, arrows and so on. This is all part of a study to see which, if any of the patterns persuade people not to stand in front of the doors. I’m afraid the simple principle of letting people off first is not very widely observed, and at times passengers on a tube train can be faced with a bovine wall of people making it very difficult to get off at all without physically shoving some of them back.
In my personal experience the results are relatively clear, anyway, though my fixed habits have prevented me from seeing whether all the different markings are equally effective. Let’s assume the platform is, remarkably, clear to begin with What typically happens is that two groups form on either side of the door. There might be a bit of covert jockeying for position, but on the whole things work out. Then an extremely, almost aggressively well-dressed young woman with loud heels clicks along the platform (not the same one, but it always seems to be someone who fits that description), and with a sneer positions herself bang in the centre of the markings. Somehow this is very annoying: I find myself wanting to shove her aside, or say something cutting (But what would do the job? “It’s always the Primark shoppers who are in a hurry, isn’t it?”?). It’s not really rational to be bothered about it, because in the first place it’s inevitable, and in the second, I don’t actually want to be first on to the train. If I get on first, I’ll be shoved to the centre of the carriage and then have great difficulty getting off again. But the even-tempered co-operation of the rest of the growing group by the doors is noticeably impaired. Then a train comes in and it turns out only about half the people on the platform can physically get on, not matter how often they’re enjoined to move down inside and use all available doors. When the doors close in the faces of the people left behind, do they move back behind the lines? It’s more likely that the next lot of people arriving on the platform find little clots of people already in front of every door.
